Thompson's book project, Domestic Pleasures: Dreams of Hope and Fulfillment in American Home Life, traces the intellectual history of the idea of pleasure in private life. On Saturday, February 3, there will be a post-show talkback with the director, Rebecca Miller and P hyllis Thompson, a cultural historian who works on nineteenth- and twentieth-century American topics.ĭr. His plays have been translated into every major living language and are performed more often than those of any other playwright.Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household.Ĭontent Advisory: Contains sexual situations and nudity. His body of plays consists of the tragedies Antony and Cleopatra, Coriolanus, Hamlet, Julius Caesar, King Lear, Macbeth, Othello, Romeo and Juliet, Timon of Athens, Titus Andronicus, and Troilus and Cressida the comedies All’s Well That Ends Well, As You Like It, The Comedy of Errors, Love’s Labor’s Lost, Measure for Measure, The Merchant of Venice, The Merry Wives of Windsor, A Midsummer Night’s Dream, Much Ado About Nothing, The Taming of the Shrew, Twelfth Night, The Two Gentlemen of Verona, and The Two Noble Kinsmen the romances Cymbeline, Pericles, The Tempest, and The Winter’s Tale and the histories Henry IV Parts I and II, Henry V, Henry VI Parts I, II, and III, Henry VIII, King John, Richard II, and Richard III. During his career he wrote 38 plays, 154 sonnets, two long narrative poems, and other verses. William Shakespeare (Playwright), 1564–1616, was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. This production contains smoke from a non-tobacco e-cigarette. This production is supported in part by the Jean and Gary Shekhter Fund for Classic Theatre. The Taming of the Shrew is supported by lead production sponsor Darlene Marcos Shiley, production sponors Diane Berol in memory of John Berol, Karen and Donald Cohn, Silvija and Brian Devine, The Conrad Prebys Foundation, Jean and Gary Shekhter, and the Erna Finci Viterbi Artistic Director Fund, with additional artist sponsors The Lodge at Torrey Pines (for director Shana Cooper). Director Shana Cooper brings to the Globe her daring and contemporary staging, which The New York Times praised as “an exhilarating new way to look at the comedy through modern eyes,” and The Wall Street Journal’s theatre critic called “the best Shrew I’ve ever reviewed.”Īn earlier version of this production of The Taming of the Shrew premiered at Hudson Valley Shakespeare Festival (Davis McCallum, Artistic Director Kate Liberman, Managing Director) in June 2018. Shakespeare’s masterful comedic take on the battle of the sexes turns everything we think about love, marriage, and gender on its head. Two of the sexiest figures in all of world theatre set off sparks in a clash of wills that is as bold as it is uproarious. Is anyone a match for the brash and strong-willed Katherine? The dashing adventurer Petruchio thinks he’s up to the challenge. The Old Globe and University of San Diego Shiley Graduate Theatre Programĭirected by Shana Cooper “Come on, and kiss me, Kate.”.Community Group Readings and Performances.
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